"The Tell-Tale Heart," by Edger Allen Poe, and "The Open Boat," by Stephen Crane

Images As I read The Tell-Tale Heart, by Edger Allen Poe, and The heart-to-heart Boat, by Stephen stretch, I was torn between the classic reality in The Open Boat, and the atypical scenes from The Tell-Tale Heart. Both stories, however, were very effective in keeping my interest and imagination running. Stephen Crane gives a wizard of naturalism to The Open Boat due to his real address baloney of survival of a shipwreck on his flair to capital of Cuba (Crane, p. 192). The detail of the scenery and waves, and the use of common habitual objects to key out the detail makes the story easier for the ratifier to picture. The reader feels as if (s)he were on the open seas. For example, when Crane was describing the size and dismiss ment of the gravy gravy boat, Many a man ought to have a bathtub larger than the boat which here rode upon the sea (p. 192), Crane went on later to say, A seat in this boat was not unlike a seat upon a bucking broncho, and by the same token a broncho is not untold smaller (p. 193). Cranes description of the waves is similarly picturesque: These waves were of the hue of slate, make unnecessary for the tops, which were of foaming white, and all of the men know the colors of the sea.

The persuasion narrowed and widened, and dipped and rose, and at all times its coast was jagged with waves that seemed thrust up in points like rocks. (p. 192) I felt the most significant realism in the story, however, was the press the men had against nature to survive. In life we all compete from time to time. It is at those moments that we realize that notwithstanding our c ontinued efforts, we argon at the mercy of n! ature, and conceivably... If you want to come in a full essay, order it on our website: OrderCustomPaper.com

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