Criticized for painting an unnatural, almost pastoral picture of Afri disregard-American animation in the south, Zora Neale Hurston=s fable, Their look Were ceremonial occasion divinity, was panned by the public, and subsequent shelved on bookcases to gather dust. By passing over the layer of Janie Crawford, readers lost a remarkable novel, not about the injustices whites had pull on the blacks, but the many paths a human life history can take on the journey through life. Essentially, Their Eyes Were Watching God is a novel that follows the character of Janie Crawford as she evolves through each unique event that occurs in her life, leadership to the strong theme of self-discovery that the author vividly portrays through metaphorical language.
First published in 1937, Their Eyes Were Watching God is a product of the Harlem renascence, a time in which African-Americans contributed heroic volumes of creativity to the American culture. Richard Wright, a contemporary of Hurston=s, said that her novel was themeless and meaningless, while at the same time, W.E.B. DuBois, founder of the NAACP, was pushing the Harlem Renaissance notion of twoness, a belief that one had to be distribute of their identity.
A reader can draw a gothic paradox between twoness and themeless when discussing Hurstons novel, especially since it is evident that Their Eyes Were Watching God has a prevalent self-discovery theme, much like twoness. It can be inferred that Hurston put her opening line where she did to draw prudence to the difference between Ships at a distance piddle every mans wish on board (1), while . . . women choke up all those things they fag=t want to remember, and remember everything they don=t want to forget (1). Men ideate and dream forever, while women dream and then do something about it. As one of the few women in the...
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