In the novel Life of Pi, Yann Martel uses indirect characterization to portray how the harshest elements gage bring out the most primal instincts in man, and the unpredicted cooperation in the most primal of animals. This is used to symbolize the almost similarities in the behavior of man and animal, although seemingly worlds apart at first glace. It is a constant switch between Pis thoughts and Pis actions that is indispensable to extend this characterization to the fullest. Martel does this by showing Pis religious and passive ve riflearian personality in the beginning of the novel; one that wouldnt as yet drink milk because it came from an animal. Yet when the time comes to survive he shows much less compassionate actions, one fueled by starvation and the will to live. This characterization wouldnt have been fully effect in the readers mind without strong imagery as well. The dingy sun cast over the flavourboat along with the deep spunky unforgiving sea is able to help the reader fancy the intense wear down of Pis outer shell and divine revelation his inner primal core. Martel uses imagery to compliment the characterization of the tiger Richard Parker as well. The ferocity wouldnt be nearly as warm without the image of a 450 pound Bengal tiger with a ready orange coat complemented with striking black stripes.
These characteristics will cast the reader to a higher level of interest than a basic description alone, as well as a better understanding of the tigers sheer strength and beauty.
Pi was afraid of Richard Parker much than any issue else in the beginning of his voyage through the ocean, for it was the only thing he had known to be afraid of. His entire life had been serene, only being warned of the dangerousness of animals while tending the...
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