Francisco de Goya's The Third of May.

Francisco de Goyas The Third of May

The artists vision is more important than tradition. Francisco de Goya, a Spanish artist, believed that the most important thing was to draw what he sawing machine rather than following the traditional style. Unlike any former(a) artists of his time, Goya did not tend to imitate Renaissance arts targeting absolute subject matters. Instead, he tried to bring the real multitude and the society that he observed up to the canvas. Francisco de Goyas early behavior and personal experiences are reflected in his exceptional paintings, such as The Third of May, which has had a lasting effect on the artists that followed.

During his childhood and adolescence, Goya met talented artists who developed his early style and had a bang-up influence on his career and work of art. He was natural in the Aragonese town of Fuendetodos located in northern Spain on March 30, 1746. His father, Jose was a glider master and his mother, Gracia Lucientes, was from a hidalgo family (Weems 1). He grew up in Zaragoza where he attended a religious school, Escuelas Pias, which provided education for the poor of Spain. During his school year, he met his lifelong friend, Martin Zapater, who later exchanged letters with Goya for over twenty-five years (Wagner).



companionship and country were very important to Goya and his career, and it is reflected on his portraits and other works of his family and friends. When Goya was fourteen, he actually began his formal education of art on the job(p) at the studio of Jose Luzan. Goya himself wrote an autobiography about his four-year training low Luzan:

He was a pupil of Don Jose Luzan in Zaragoza, with whom he knowledgeable the principals of drawing and who made him copy the finest engraving that he feature; he stayed with...

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