Mattingly, in a Shakespearean manner, envisioned the skirmish amongst Catholicism and Protestantism as a play: including the discord between the two queen as a abbreviated act in a much larger drama. A brief act in which Mary starred. The star unplowed them waiting. This theater metaphor greatly supports his argument. That is, while Queen Elizabeths rivalry with Queen Mary displayed the political struggle between Catholics and Protestants, the two religions conflict was much more extensive, and more significant, than their rivalry. Mattingly built his metaphor by using many theater call to string the mornings events: stage utilise to describe the scaffold, audience always used when he was referring to the crowd, and scene used for depictions. Since a show put on by a theater group is fictitious, simply actors who un-die when the curtain falls, comparing the queens rivalries with a theater piece diminished the severity of the events considerably. so highlighting how insignificant the queens rivalry was in comparison.
The sacred conflict occurred beyond just England.
However, the queens political duel revealed many aspects of the phantasmal feud and its influence: incredible confidence of believers, willingness of martyrs, and degree of brutality towards enemies. A political duel which had begun, indeed, in the first place either of the enemy queens was born indicates the predetermined character of the queens rivalries. This supports his argument, illustrating the vast role of religion in politics. Mattinglys tone, evidence, and choice of metaphors all substantiate his argument: in 1587, religious feud was the force behind European change.
Bibliography
Mattingly, Garrett. The Armada. Boston: Houghton Mifflin Harcourt, 1959.
Shakespeare, William. As You Like It, in First Folio. England: William and Isaac
Jaggard, 1623.
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