John Dewey & Art

Dewey concept of art as being a component of democracy, as the domain of all, any person who could have an aesthetic ideal and also a communion with higher meanings. This included everyone. Dewey was passionate for the development with the individual, and he carried out his philosophies in his work. For example, with his first wife, Alice Freeman Dewey, he founded an experimental school, in which they tried out some of Dewey's central ideas?the relation of theory to practice, of life to society, and of methods to ends (Biography 1).

Dewey did not think that art need to be separated from its creator and its society of context. He says in "The Live Creature," "When artistic objects are separated from both conditions of origin and operation in experience, a wall is created close to them that renders virtually opaque their general significance, with which esthetic theory deals" (Dewey, Stuhr, 518). It seems that the latest forms of art resist that process, having set aside inside the society. For example, skateboard artists eat pride within the artwork over a underside of their skateboards, priding themselves on specific combinations of stickers, markings, and paint, layering on collaged meaning that's significant during the context with the skateboard culture.

In like manner, graffiti came out of gangs including a require for expression, marking territory, and coded communications within gangs and to the opposing gangs. These varieties of lettering became increasingly stylized, modified, and perfected until graphics businesses and advertisers copied the style so that you can be observed as modern day and appealing to the younger generation. Some art historians have taken up studying graffiti as being a specialty, photographing and cataloguing murals from the freeways of Los Angeles, somewhat setting the art type apart from its natural existence, taking it to the lecture hall for perusal and study. It is this splintering off and specializing that Dewey objected to. He could see it during the popularity of the museums and during the growing collections with the corporate barons of America.

By way of contrast, inside aftermath from the attacks on a Twin Towers in New York City in 2001, the blocks of beaming light from Ground Zero doing a visual representation from the rising up from the spirit on the persons of New York City, irrepressible even following this kind of a travesty. The light beams traveled about the globe on the Internet, in addition to swiftly passing of photographs of vigils on the world, as thinking, responding people everywhere created public altars with flowers and candles, commemorating the senselessness from the loss as well as the empathy that crossed cultures. Dewey would have approved.

Greene comments that Dewey warned against while using arts being a distraction, something to become snatched at in distraction or wrapped around oneself like a cloak, creating a kind of sloppy superficiality that may be a substitute for genuine ideas (Greene 379).

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